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Jonathan Banks lends not-so-grandfatherly auto advice as ‘Frampa’




Any fan of “Breaking Bad” knows that Jonathan Banks plays the ultimate fixer. That made Banks the perfect choice to play the salty sage teaching the next generation of DIYers to do right by their cars in a new campaign from Fram Group and its Midwest-based creative agency Laughlin Constable.

The new campaign seizes on the insight that Millennials who change their own oil often look past perhaps the most important part – the oil filter. And with oil filters, there’s a cheap way and a right way. Enter “Frampa,” a crusty elder who helps the younger generation buy the right oil filter, the FRAM oil filter, for their cars.

“People used to learn about changing their oil from someone more experienced, like a father or an uncle. Those older guys historically reached for the FRAM filter. But the current generation hasn’t been taught the value of using the right filter and they reach for the cheap one,” says FRAM Brand Manager Brian Kelley. “So we wanted to introduce the kind of mentor who people would trust to help them do the whole job right.”

The character was perfectly embodied by Banks, famous for his work on “Breaking Bad” and “Better Call Saul,” long before he agreed to the campaign. “Jonathan Banks was choice one, two and three for Frampa,” says Dan Fietsam, Chief Creative Officer at Laughlin Constable. “Our team loved the juxtaposition of a seasoned advisor who’s long on wisdom and short on BS. This man does not suffer fools.

Communicating sometimes with grunts and groans and an exceptionally tight hand grip, Banks guides a series of novice DIYers. “Your engine will thank me. Now you can get back to your robot music,” Banks says as he tosses the car keys back to a startled looking twenty-something. “They’re not Robots, they’re Swedish,” the younger man says.

The campaign consists of four spots, all filmed in Los Angeles on location in automotive stores and home garages. They were directed by Ric Cantor, best known for his humorous anti-texting spot for the New Zealand Transport Agency.







CREATIVE CREDITS:
FRAM Group
Brand Manager – Brian Kelley

Laughlin Constable
CEO, President – Mat Lignel
Chief Creative Officer - Dan Fietsam
Chief Strategy Officer – Mark Carlson
Executive Vice President, Account Services – Renee Haber
Vice President, Media – Emily Harley
Creative Director – Jon Laughlin
Senior Art Director – Dan Koel
Copywriter – Matt Portman
Vice President, Senior Producer – Phil Smith
Group Account Director - Denise Joseph
Account Manager – Lainie Rotenberg
Senior Integration Manager – Mike Murray
Digital Strategist – Dominic Pellitteri
Senior Social Strategist – Lauren Mahomes

Production Company - Hungry Man
Director - Ric Cantor
Production Company Producer – James Kadonoff

Editorial Company - Hive
Editor - Lauren Brandoff
Motion Graphics Artist – Margaret O’Brien

Music House & Audio Mix - Mix Kitchen/Chicago
Composer - Craig J. Snider
Engineer - Sam Fishkin
Color - Nolo Digital Film/Chicago
Colorist – Mike Matusek

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Harry Dean Stanton Remembered in Uncovered Lost Footage

Great Guns pays tribute to the king of character acting with unscreened D&AD-winning Guess TVC footage

Great Guns pays tribute to legendary actor, Harry Dean Stanton, who passed last Saturday, by sharing unscreened footage of the star. Upon hearing the sad news, the production company uncovered a hitherto unscreened five-minute version of the 1996 Guess ‘Cheat’ TVC from their archives.

Starring Stanton, Juliette Lewis, Traci Lords, and Peter Horton, ‘Cheat’ won over 84 global awards, including four D&AD pencils. Stanton flexes his trademark hangdog charm in the spot, playing a private investigator who stops at nothing to trap his prey. Lewis plays his beautiful, Guess-clad decoy.

Refreshing for its time, the 90” version of ‘Cheat’ (written by current CCO of Ogilvy Memac, Paul Shearer, and his then partner Rob Jack) plays out like a sleek, branded content film and is largely credited as being one of the first pieces of ‘advertainment’. When Guess’ ECD and Founder Paul Marciano saw the first cut, he requested that all of the branded product shots be removed, claiming they spoiled the film.

Great Guns’ Owner, Laura Gregory, who was Executive Producer on the spot, remembers working with Director Andy Morahan to track down Stanton at the legendary LA music venue, The Mint. When he heard that Lewis was to the be the Guess girl in the spot, he jumped at the opportunity, saying he’d always wanted to work with the actress.

The previously unseen five-minute version released by Great Guns today, plays out like a short. The offline takes us through the full narrative of the investigation, from Stanton taking the call to Lewis bagging the suspect. Alongside this, Great Guns also uncovered a 15-second teaser film, ‘Sorry’ in which Stanton rehearses the delivery of one word, ‘sorry’, as he drives through LA with the bad news for his client (Lords).

During his six-decade-long career, Stanton collaborated with industry greats such as David Lynch, Ridley Scott, and John Carpenter. His unique talent is immortalised in films such as Cool Hand Luke, Alien, Repo Man, and Pretty in Pink.


Credits
Writers: Paul Shearer and Rob Jack
Director: Andy Morahan
Executive Producer: Laura Gregory
Producer: Clarissa Troop
DOP: Joseph Yacoe
Editor: John Smith
Music: The Blue Hawaiians

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