A huge collection of 3400+ free website templates JAR theme com WP themes and more at the biggest community-driven free web design site

2-sided Lensless Sensor

It still remains to be seen whether lensless image sensors are able to find a market beyond the under-display fingerprint applications. Meanwhile, Tokyo Institute of Technology and Shuzuoka University propose a 2-sided version of lensless imager in a P...

Read More »

2-sided Lensless Sensor

It still remains to be seen whether lensless image sensors are able to find a market beyond the under-display fingerprint applications. Meanwhile, Tokyo Institute of Technology and Shuzuoka University propose a 2-sided version of lensless imager in a P...

Read More »

Silicon Valley LiDAR Companies

Silicon Valley Business Journal publishes a gallery of local LiDAR companies CEOs together with the company's data:"Seven venture-backed startups from the Bay Area are among the more than 70 companies working on automotive lidar today. Two of them have...

Read More »

Silicon Valley LiDAR Companies

Silicon Valley Business Journal publishes a gallery of local LiDAR companies CEOs together with the company's data:"Seven venture-backed startups from the Bay Area are among the more than 70 companies working on automotive lidar today. Two of them have...

Read More »

ENVY Advertising Recreates Authentic Sounds of F1’s History for Evocative Sky Sports Promo



Sky Sports - Vintage Sounds F1 Promo by ENVY Advertising from Adstasher on Vimeo.

Sky Sports ushers in the next chapter of Formula 1 with a rousing new ad that takes us back to where it all began. The 40-second promo was created by Sky’s in-house advertising agency, Sky Creative Agency. ENVY Advertising crafted the sound design and reworked Fleetwood Mac’s classic F1 theme, ‘The Chain’ to complement the ad.

Directed by Knucklehead’s Lieven Van Baelen, the promo plays out as one seamless camera pan that takes viewers on a journey through F1’s rich history. Aptly set to the goosebump-inducing baseline of Fleetwood Mac’s track, the ad pays homage to F1’s biggest legends and unforgettable moments.

Beginning in more manual times with boundary-pushing pioneer Juan Manuel Fangio and his Ferrari in the ‘50s, the film goes on to highlight technology’s impact on speed with the revolutionary Lotus ’79 model. Dramatic rivalries are recounted through Ayrton Senna and Alain Prost’s ’89 feud, and the film ends in present day, with former World Champions, Jenson Button, and Nico Rosberg, welcoming a new chapter of F1.

With sound and music playing such a key role in enhancing the narrative of this latest promo, ENVY Advertising was tasked with crafted a highly authentic and meticulously-researched soundscape to convincingly immerse audiences in each era depicted in the ad.

ENVY Advertising’s Senior Sound Designer, Arge, comments: “The absolute focus was the authenticity of sound from the cars themselves, that they should embody and feel very much of the era they are representing. You should almost know where you are in time just from listening to the engines. This was quite a challenge as there are plenty of die-hard F1 fans who would rightly call us out if the sounds weren’t authentic. You can’t just slap a V10 sound on a V8 engine… It’s not the done thing! We spent a lot of time on YouTube listening to how engines sounded and how they differ from decade to decade. Films like Rush and Senna also proved to be useful research tools. While sourcing these elements proved a challenge, F1 aficionados at Sky were very helpful with archive material, combined with a great library of F1 sounds we have now gathered at ENVY, plus a lot of magic applied to few YouTube clips!”

On creating the sounds of the environment around the cars, Arge says: “Background sounds such as the mechanics in the pit lane, the people, and the camera shutters were also important to get right. Particular attention was paid to the commentators. The talented voice actor, Lewis Macleod, helped us create different voices of the commentators for each era, and even some of the characters. For real authenticity, we actually got Lewis to use a selection of specific microphones from the era being represented. This effect of the mics is particularly apparent in the radio version of this campaign we worked on.”

To create a suitably epic soundtrack, ENVY Advertising reworked Fleetwood Mac’s iconic tune, ‘The Chain’, into a version that would mirror the promo’s visual journey through different eras. Arge says: “After trying many different tracks, it was clear that everyone loved the idea of using this classic theme. However, we wanted to do something different, so the creatives, Simon and Nicole, had the idea of creating a more atmospheric piano and string-based version of the song. We then took that and seamlessly worked it into the original Fleetwood Mac version. The result was an extremely cinematic opening which then builds into the classic recognisable theme with a great crescendo for the final reveal.”

This upcoming F1 season marks the first to be covered exclusively on Sky Sports, which owns broadcast rights to 20 out of 21 races.


Credits

Advertiser: Sky Sports

Marketing Director, Sky Sports: Jo Fox
Head of Brand Marketing, Sky Sports: Robbie Balfour
Senior Marketing Manager, Sky Sports: Laura Pinnell

Creative Agency: Sky Creative Agency
Creative Director: Simon Corkin
Creative Director: Nicole Poppi
Producer: Ella Littlewood
Producer: Al Mcgee
Head of Production: Paul Mortimore
Strategist: Anthony Edwards
Account Lead: Nick Waddell
Senior Account Manager: Alex Rodger

Production Company: Knucklehead
Director: Lieven Van Baelen
Head of Production: Francis Mildmay-White
Production Manager: Cat Irving
Director of Photography: Glynn Speeckaert
Production Designer: Chris Oddy
Costume Designers: Bratsk
Makeup and Hair: Natasha Lawes
Casting Director: Hammond Cox Casting

Studio: Warner Bros Studio Leavesden
Offline Editor: Emmanuel Van Hove

Post Production: Framestore
Post Producer: Victoria Lovejoy
Colourist: Simon Bourne
VFX: Paul O’Brien
Audio Post Production: ENVY Advertising
Producer: Pete Burch
Sound Designer: Arge



Read More »

Sony Unveils 1-inch Sensor for 360 deg Cameras

Sony 9MP IMX533 sensor has 1:1 aspect ratio for the emerging market of 360 deg consumer cameras and camcorders. The new device features 3.76um BSI pixel for wider CRA of fish-eye lenses, 14b ADC, and is fairly fast to be useful in a video camera:Update...

Read More »