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Why Did Henry Cavill & Kaley Cuoco Break Up?

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Woman of Steel? Not so much!

Kaley Cuoco and Henry Cavill hooked up briefly last month, but their relationship crumbled like an over-baked cookie. Neither of them gave tabloids any reasons, which tells me that things between them are still sour.

Anyway, an anonymous source finally speaks up and reveals the dirty little secret. Wanna hear it?
"
According to a report in Ok! Magazine (via Fashion & Style), it was that constant attention that was the real reason behind their breakup after only a couple weeks of dating. According to Ok! Magazine’s source, “She [Kaley Cuoco] just got overwhelmed with the very public Superman relationship. She’s not used to that much attention and chaos in her life.”
This rumor seems to be supported by a recent Cuoco tweet. Cuoco tweeted, “Those of you who think I’m ‘paying paparazzi’ to follow me around are poorly mistaken. I feel sorry for your ignorance and obvious boredom.”
"
[via Comic Book]

What do you think is the real reason for Henry and Kaley's split?

Image via Flickr.

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Toronto’s Zulu Alpha Kilo crowned Ad Age’s 2017 International Small Agency of the Year


For the second year in a row, Zulu Alpha Kilo has been recognized by U.S. publication Ad Age as one of the world’s top independent agencies.

Last year it was the first non-U.S. shop to win the overall top prize, the first time in Ad Age history that had ever happened. This year it was recognized in the global category, winning the top honour as Ad Age’s International Small Agency of the Year.

The Toronto-based firm received the news in Nashville on Wednesday night. Zulu was introduced to the stage as “Shit Disturbers” borrowing from the title a local industry publications bestowed on the agency when it made its A-list of top Canadian shops in December. The shop was given that name for its strong stance on creative spec work for pitches. But despite turning down 80% of the RFPs that come its way, it continues to grow and attract top tier clients like Whirlpool, Stella Artois and Uber over the past year.

"These finalists are nimble, innovative and—stop me if you've heard this before—shatter silos," said Ad Age Editor Brian Braiker. "They're also taking on projects, creating brands and launching products in ways that fundamentally redefine what it means to be an agency. There has never been a more exciting time to be at a smaller shop. And these are the best of the lot."

The Ad Age Small Agency Awards go to independent agencies with up to 150 employees that have demonstrated smart strategies and innovative ideas for clients.
Agencies must submit three campaigns that are ranked by industry peers and the Ad Age editorial staff for a combination of creativity and strategy.

Zulu was one of only two agencies that made multiple trips to the podium when the shop also picked up Campaign of the Year Silver in the integrated category for “A Balloon for Ben.” The branded content film was created for Cineplex – Canada’s largest theatre chain. It topped a million views in 24 hours, reaching that milestone faster than the first viral sensation Zulu did for Cineplex (‘Lily & the Snowman’), which now has over 80 million views worldwide.

Another campaign that caught the jury’s attention was for Harley-Davidson. The agency launched a café in Toronto’s downtown core to target first-time bike buyers in a city without a dealership. The result was 1903 | A Harley Davidson Café—a nod to 1960s café racer culture, when riders would race stripped-down bikes from one café to another. The idea generated 50 million earned media impressions and increased sales.

“We’re thrilled with this global recognition again from Ad Age,” says chief creative officer & CEO Zak Mroueh, who founded Zulu in 2008. “We share this honour with our amazing clients who have entrusted us with their brands. Having premium clients who value true partnership has enabled us to flourish while remaining true to our core values.”

See some of Zulu's brilliant work  here.

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